In chikankari work, the needle is held in the right hand while embedding it into the fabric, the left hand backings and controls the string so that the join take the right shape. In traditional chikan no frames were used (however they are utilized now)”;” the part of the material to be weaved is put over the forefinger of the left hand, bolstered by whatever is left of the fingers, leaving the thumb free. The needle is pulled far from the embroiderer who begins from the closest end and completed at the most distant end.
There is an order and strategy in the use of the join. The darn fasten is chipped away at harsh cotton fabric to fill precise plans and to cover the surface of the fabric, while glossy silk sewing is done only on fragile fabrics like silk, muslin, or material. In chikan some fastens are worked from the wrong side of the fabric, while others are worked from the right side. It is however one of a kind in its order in as much as join assigned for a specific object are utilized just for that reason – they are not supplanted by different stitches. For instance, the chain line (zanjeera) might be utilized for the last framework of a leaf, petal, or stem.
Diverse pros work with various sorts of lines. For instance, open work or jaali is not done by embroiderers who do the filling work – every laborer finishes his/her bit and the fabric is then sent to the following embroiderer. The wages for every employment are settled independently.
Chikan embroidery has a collection of around 40 fastens of which around 30 are as yet being utilized. These can be comprehensively isolated into 3 heads – flat stitches, raised and embossed stitches, and the open trellis-like jaali work. Some of these have reciprocals in different embroideries, the rest are controls that make them unmistakable and one of a kind. They cover all the weaving lines of the nation and have intriguing and elucidating names.